{"id":6872,"date":"2019-02-02T16:17:05","date_gmt":"2019-02-02T15:17:05","guid":{"rendered":"https:\/\/www.rabelais32.org\/?p=6872"},"modified":"2019-03-03T10:32:14","modified_gmt":"2019-03-03T09:32:14","slug":"les-miroirs-de-frida-kahlo-par-robert-vasquez-29-janvier-2019","status":"publish","type":"post","link":"https:\/\/www.rabelais32.org\/index.php\/2019\/02\/02\/les-miroirs-de-frida-kahlo-par-robert-vasquez-29-janvier-2019\/","title":{"rendered":"LES MIROIRS DE FRIDA KAHLO par Robert Vazquez (29 janvier 2019)"},"content":{"rendered":"<p><a href=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/738059dc8c23c4f4bc77462973117447.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6873 alignleft\" src=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/738059dc8c23c4f4bc77462973117447-225x300.jpg\" alt=\"\" width=\"179\" height=\"239\" srcset=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/738059dc8c23c4f4bc77462973117447-225x300.jpg 225w, https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/738059dc8c23c4f4bc77462973117447.jpg 500w\" sizes=\"auto, (max-width: 179px) 100vw, 179px\" \/><\/a>Magdalena Carmen Frida Kahlo y Calder\u00f3n que l\u2019on nomme simplement Frida est n\u00e9e le 6 juillet 1907 \u00e0 Coyoac\u00e1n quartier de la banlieue de Mexico. Troisi\u00e8me de 4 filles, elle partage avec son p\u00e8re Wilhem (Guillermo) Kahlo \u00e9pileptique l\u2019exp\u00e9rience de la fragilit\u00e9 et de la solitude mais entretient avec sa m\u00e8re Matilde Calder\u00f3n une relation ambivalente o\u00f9 se m\u00e9langent amour et m\u00e9pris.<a href=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/ea6bd36974b1292caf82880e85de5709.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-6875 alignright\" src=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/ea6bd36974b1292caf82880e85de5709-215x300.jpg\" alt=\"\" width=\"161\" height=\"225\" srcset=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/ea6bd36974b1292caf82880e85de5709-215x300.jpg 215w, https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/ea6bd36974b1292caf82880e85de5709.jpg 564w\" sizes=\"auto, (max-width: 161px) 100vw, 161px\" \/><\/a><\/p>\n<p>A 6 ans, elle est atteinte d\u2019une\u00a0 poliomy\u00e9lite \u00e0 la jambe droite, elle conservera des s\u00e9quelles qui lui vaudront le surnom de <em>pata de palo<\/em> (jambe de bois) qu\u2019elle dissimule d\u2019abord avec des pantalons puis d\u2019amples robes. Ses premi\u00e8res ann\u00e9es co\u00efncident avec celles de la r\u00e9volution mexicaine. El\u00e8ve brillante de la prestigieuse Escuela Nacional Pr\u00e9paratoria o\u00f9 elle est admise\u00a0 en 1922, Frida s\u2019int\u00e9resse \u00e0 la biologie, la zoologie et l\u2019anatomie. Elle ambitionne une carri\u00e8re m\u00e9dicale. Le cours de sa vie va basculer le 17 septembre 1925. L\u2019autobus qui la ramenait chez elle en compagnie de son ami Alejandro est violemment percut\u00e9 par un tramway. Sous le choc, le bus se disloque et la rampe m\u00e9tallique du v\u00e9hicule va lui traverser l\u2019abdomen, le vagin et endommager gravement sa colonne vert\u00e9brale.<\/p>\n<p>A partir de<a href=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/diego_et_moi_1949-c97dc.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-6874 alignleft\" src=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/diego_et_moi_1949-c97dc-225x300.jpg\" alt=\"\" width=\"159\" height=\"212\" srcset=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/diego_et_moi_1949-c97dc-225x300.jpg 225w, https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/diego_et_moi_1949-c97dc.jpg 400w\" sizes=\"auto, (max-width: 159px) 100vw, 159px\" \/><\/a> ce funeste accident, elle m\u00e8nera un combat harassant contre la d\u00e9gradation insidieuse et la douleur o\u00f9 ses compagnons furent les miroirs et sa peinture qui lui permettront d\u2019\u00e9chapper\u00a0 \u00e0 l\u2019ennui.<\/p>\n<p>Comment ne pas lire l\u2019expression de son d\u00e9sarroi dans son langage pictural tellement singulier\u00a0? Deux fois mari\u00e9e au c\u00e9l\u00e8bre muraliste Diego Rivera, \u00ab\u00a0Frida\u00a0\u00bb mourut le 13 juillet 1954. Elle nous laisse une \u0153uvre toute int\u00e9rieure bouleversante de f\u00e9minit\u00e9 bless\u00e9e et d\u00e9mesur\u00e9e comme une volont\u00e9 autobiographique qui ne dissimule rien et brave tous les interdits.<\/p>\n<p>Robert Vazquez<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/portraits.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6876 aligncenter\" src=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/portraits-300x114.jpg\" alt=\"\" width=\"482\" height=\"183\" srcset=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/portraits-300x114.jpg 300w, https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/portraits-768x291.jpg 768w, https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/portraits-1024x388.jpg 1024w, https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/portraits.jpg 1600w\" sizes=\"auto, (max-width: 482px) 100vw, 482px\" \/><\/a><\/p>\n<p>Diaporama cr\u00e9\u00e9 \u00e0 partir des tableaux choisis par Robert Vazquez pour illustrer l&rsquo;hommage \u00e0 Frida Kalho :<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Qs_u3bEf-Bo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Et pour ceux qui veulent en savoir davantage :<\/p>\n<p>Ce document\u00a0 PDF \u00ab\u00a0Frida Kahlo, la peinture \u00e0 fleur de peau\u00a0\u00bb de John Berger <a href=\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2019\/02\/Frida-kahlo-la-peinture-\u00e0-fleur-de-peau.pdf\" target=\"_blank\" rel=\"noopener\">ICI<\/a><\/p>\n<p>Ce lien vers le Mus\u00e9e Frida Kahlo \u00e0 Mexico : <a href=\"http:\/\/www.museofridakahlo.org.mx\/en\/\" target=\"_blank\" rel=\"noopener\">ICI<\/a><\/p>\n<p>et ce\u00a0 documentaire\u00a0 tr\u00e8s touchant sur la vie et l&rsquo;oeuvre de Frida :<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Fr3z0-Hkofw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span>&lt;\/i&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Magdalena Carmen Frida Kahlo y Calder\u00f3n que l\u2019on nomme simplement Frida est n\u00e9e le 6 juillet 1907 \u00e0 Coyoac\u00e1n quartier de la banlieue de Mexico. Troisi\u00e8me de 4 filles, elle partage avec son p\u00e8re Wilhem (Guillermo) Kahlo \u00e9pileptique l\u2019exp\u00e9rience de &hellip; <a href=\"https:\/\/www.rabelais32.org\/index.php\/2019\/02\/02\/les-miroirs-de-frida-kahlo-par-robert-vasquez-29-janvier-2019\/\">Lire la suite\u00ad\u00ad<\/a><\/p>\n","protected":false},"author":1,"featured_media":6879,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,6],"tags":[],"class_list":["post-6872","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-partager","category-conference"],"_links":{"self":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/6872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/comments?post=6872"}],"version-history":[{"count":10,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/6872\/revisions"}],"predecessor-version":[{"id":6963,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/6872\/revisions\/6963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/media\/6879"}],"wp:attachment":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/media?parent=6872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/categories?post=6872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/tags?post=6872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}