La vieille photo jaunie Dans un tiroir de l\u2019armoire<\/em><\/p>\n J\u2019ai trouv\u00e9 une vieille photo<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Aux bords dentel\u00e9s,<\/em><\/p>\n Les couleurs un peu pass\u00e9es.<\/em><\/p>\n Un visage appara\u00eet en filigrane,<\/em><\/p>\n Les contours l\u00e9g\u00e8rement effac\u00e9s,<\/em><\/p>\n Mais je reconnais ce visage aim\u00e9<\/em><\/p>\n Qui me sourit et m\u2019\u00e9meut.<\/em><\/p>\n Son regard me trouble encore<\/em><\/p>\n Et je m\u2019\u00e9tonne qu\u2019apr\u00e8s tant de temps,<\/em><\/p>\n L\u2019\u00e9motion me submerge autant.<\/em><\/p>\n Une simple photo oubli\u00e9e<\/em><\/p>\n Et tout un pass\u00e9 surgit<\/em><\/p>\n Et se fait pr\u00e9sent, envahissant.<\/em><\/p>\n Le pouvoir de l\u2019image est immense,<\/em><\/p>\n C\u2019est un raccourci dans l\u2019espace-temps.<\/em><\/p>\n Photo de Robert Dussaux<\/strong><\/em><\/span><\/p>\n Dans un monde o\u00f9 la nature des choses<\/p>\n Est d\u2019\u00eatre en mouvement,<\/p>\n En perp\u00e9tuel changement,<\/p>\n Le r\u00f4le de la photo est de cueillir l\u2019instant,<\/p>\n De garder la trace de notre passage.<\/p>\n Un instant de beaut\u00e9<\/em><\/span><\/p>\n Les photos sont des fragments de notre vie<\/p>\n Tomb\u00e9s dans l\u2019oubli.<\/p>\n Notre m\u00e9moire est s\u00e9lective, peu fiable,<\/p>\n Elle d\u00e9forme, efface, enjolive ou enlaidit,<\/p>\n La photo r\u00e9tablit la v\u00e9rit\u00e9,<\/p>\n Et pr\u00e9serve l\u2019image vivante du disparu.<\/p>\n Elle donne un peu d\u2019\u00e9ternit\u00e9 \u00e0 l\u2019instantan\u00e9.<\/p>\n Image d’aujourd’hui<\/em><\/span><\/p>\n Le raton<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" L’article de Guy sur \u00ab\u00a0Point de Vue\u00a0\u00bbm’a inspir\u00e9 quelques r\u00e9flexions sur le pouvoir et le r\u00f4le des photographies, images t\u00e9moins de notre histoire. Gardons-les en m\u00e9moire. Photo de jean Dieuzaide La vieille photo jaunie Dans un tiroir de l\u2019armoire J\u2019ai … Lire la suite\u00ad\u00ad<\/a><\/p>\n","protected":false},"author":2,"featured_media":5745,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38],"tags":[],"class_list":["post-5744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-point-de-vue"],"_links":{"self":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/5744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/comments?post=5744"}],"version-history":[{"count":10,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/5744\/revisions"}],"predecessor-version":[{"id":5823,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/5744\/revisions\/5823"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/media\/5745"}],"wp:attachment":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/media?parent=5744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/categories?post=5744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/tags?post=5744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/www.rabelais32.org\/wp-content\/uploads\/2018\/04\/berger-des-pyr\u00e9n\u00e9es_Fotor-2.jpg\")
<\/a><\/strong><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n