{"id":1928,"date":"2016-05-10T06:38:59","date_gmt":"2016-05-10T06:38:59","guid":{"rendered":"http:\/\/www.rabelais32.org\/?p=1928"},"modified":"2016-07-08T13:35:27","modified_gmt":"2016-07-08T13:35:27","slug":"aquarelle-travaux-fin-dannee","status":"publish","type":"post","link":"https:\/\/www.rabelais32.org\/index.php\/2016\/05\/10\/aquarelle-travaux-fin-dannee\/","title":{"rendered":"Aquarelle travaux fin d&rsquo;ann\u00e9e"},"content":{"rendered":"<p>L\u2019atelier Aquarelle nous a fait parvenir une partie de leurs travaux effectu\u00e9s ces derniers mois.<\/p>\n<p>Ces artistes sont les dignes h\u00e9ritiers des aquarellistes dont nous \u00e9voquons l\u2019histoire de leur art.<\/p>\n<p><strong>Histoire de l&rsquo;aquarelle<\/strong><\/p>\n<p><strong>Les origines de la peinture aquarelle remontent peut-\u00eatre m\u00eame jusqu&rsquo;aux peintures rupestres pal\u00e9olithiques, mais c&rsquo;est \u00e0 la renaissance qu&rsquo;elle connait son apog\u00e9e.<\/strong><\/p>\n<p>L\u2019aquarelle est un art, une <strong>m\u00e9thode de peinture<\/strong> dans lesquels les peintures utilis\u00e9es sont des <strong>pigments en suspension dans de l&rsquo;eau<\/strong>. Le support traditionnel commun pour l&rsquo;aquarelle est le papier, mais il y a aussi le papyrus, les papiers d&rsquo;\u00e9corce, les plastiques, le papier v\u00e9lin ou le cuir, le tissu, le bois et la toile. Les aquarelles sont g\u00e9n\u00e9ralement transparentes et lumineuses. L\u2019aquarelle peut \u00e9galement \u00eatre rendue opaque par l&rsquo;ajout de blanc chinois. En Asie de l&rsquo;Est, la peinture \u00e0 l&rsquo;aquarelle \u00e0 l\u2019encre est consid\u00e9r\u00e9e comme de la peinture au pinceau. Dans la peinture chinoise, cor\u00e9enne, japonaise, c\u2019\u00e9tait la m\u00e9thode dominante, souvent en monochrome noir ou marron. L&rsquo;Inde, l&rsquo;\u00c9thiopie et d&rsquo;autres pays ont \u00e9galement une longue tradition dans l\u2019aquarelle. L\u2019aquarelle peinte avec les doigts est originaire de Chine.<\/p>\n<p>L&rsquo;<strong>aquarelle est tr\u00e8s ancienne<\/strong>, datant peut-\u00eatre des peintures rupestres <strong>pal\u00e9olithiques<\/strong> d\u2019Europe. Elle a \u00e9t\u00e9 utilis\u00e9e pour l&rsquo;enluminure au moins depuis l&rsquo;<strong>\u00e9poque \u00e9gyptienne<\/strong>, mais surtout dans le <strong>Moyen \u00c2ge europ\u00e9en<\/strong>, mais son histoire en tant qu\u2019art commence vraiment \u00e0 la Renaissance. L&rsquo;Artiste allemand du Nord <a href=\"http:\/\/www.autoportraits.net\/durer.html\"><u>Albrecht D\u00fcrer<\/u><\/a> n\u00e9 en 1471 et d\u00e9c\u00e9d\u00e9 en 1528, qui a peint plusieurs jolies aquarelles botaniques, de la faune, et de paysage, est g\u00e9n\u00e9ralement consid\u00e9r\u00e9 comme l&rsquo;un des premiers repr\u00e9sentants de ce genre \u00e0 la renaissance. Une importante \u00e9cole de peinture \u00e0 l&rsquo;aquarelle en Allemagne a \u00e9t\u00e9 dirig\u00e9e par Hans Bol (1534-1593) dans le cadre de la Renaissance D\u00fcrer.<\/p>\n<p>Parmi les premiers notables pratiquant la peinture \u00e0 l&rsquo;aquarelle \u00e9taient <a href=\"http:\/\/www.autoportraits.net\/van-eyck.html\"><u>Van Dyck<\/u><\/a>, lors de son s\u00e9jour en Angleterre, Claude Lorrain, Giovanni Benedetto Castiglione, et de nombreux artistes hollandais et flamands. Cependant, les illustrations botaniques et d\u2019esp\u00e8ces sauvages sont peut-\u00eatre la tradition ancienne la plus importante dans les aquarelles. L\u2019Illustration botanique est devenue populaire \u00e0 la Renaissance, \u00e0 la fois \u00e0 titre d&rsquo;illustration sur des bois teint\u00e9s, dans des livres ou des journaux grand format, et des dessins \u00e0 l&rsquo;encre sur v\u00e9lin teint\u00e9, ou sur papier.<\/p>\n<p>Les <strong>artistes botaniques<\/strong> ont toujours \u00e9t\u00e9 parmi les <strong>aquarellistes les plus exigeants<\/strong> et les plus accomplis, et aujourd&rsquo;hui encore, les aquarelles, avec leur capacit\u00e9 unique pour r\u00e9sumer, clarifier et id\u00e9aliser en pleine couleur, sont utilis\u00e9es pour illustrer les publications scientifiques et mus\u00e9ales. L\u2019illustration de la faune a atteint son apog\u00e9e au dix-neuvi\u00e8me si\u00e8cle avec des artistes comme John James Audubon.<\/p>\n<p>source : histoire de l&rsquo;aquarelle.org<\/p>\n<style id=\"bwg-style-0\">      #bwg_container1_0 #bwg_container2_0 #bwg_mosaic_thumbnails_div_0 {        width: 100%;        position: relative;        background-color: rgba(255, 255, 255, 0.00);        text-align: center;        justify-content: center;                  margin-left: auto;          margin-right: auto;                    padding-left: 4px;          padding-top: 4px;                }          #bwg_container1_0 #bwg_container2_0 .bwg_mosaic_thumb_spun_0 {        display: block;        position: absolute;\t\t\t\tborder-radius: 2px;\t\t\t\tborder: 1px none #CCCCCC;    \t\t    \t\tbackground-color:rgba(0,0,0, 0.30);        -moz-box-sizing: content-box !important;        -webkit-box-sizing: content-box !important;        box-sizing: content-box !important;      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Ces artistes sont les dignes h\u00e9ritiers des aquarellistes dont nous \u00e9voquons l\u2019histoire de leur art. Histoire de l&rsquo;aquarelle Les origines de la peinture aquarelle remontent &hellip; <a href=\"https:\/\/www.rabelais32.org\/index.php\/2016\/05\/10\/aquarelle-travaux-fin-dannee\/\">Lire la suite\u00ad\u00ad<\/a><\/p>\n","protected":false},"author":3,"featured_media":1963,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-1928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aquaerelle"],"_links":{"self":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/1928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/comments?post=1928"}],"version-history":[{"count":20,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/1928\/revisions"}],"predecessor-version":[{"id":2331,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/posts\/1928\/revisions\/2331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/media\/1963"}],"wp:attachment":[{"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/media?parent=1928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/categories?post=1928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rabelais32.org\/index.php\/wp-json\/wp\/v2\/tags?post=1928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}